Anthony McCall Movies

This key work of the late 1970s, now digitally restored, is a unique attempt to combine contemporary debates around formalism, feminism and...

A digital re-make and reinterpretation of McCall’s landmark 1973 thirty-minute film installation Line Describing a Cone.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Video documentation of performance of the work hosted by De Appel, Amsterdam, in 1977 and filmed by Miguel-Ángel Cárdenas. In ABC - We...

A flat blade of light rotating from a fixed central axis.

LINE DESCRIBING A CONE is what I term a solid light film. It deals with the projected light beam itself, rather than treating the light beam as a...

This experimental "film" consists of an empty room with a bare lightbulb, and windows covered with a translucent material, for a duration of 24...

In Raised Voices, there are two competing and intersecting forms within the horizontal projection; an incomplete ellipse that varies in its diameter,...

horizontal, single projection 16 minute cycle

solid light film horizontal, double digital file, B/W, silent 24mn

The first in the new Solid Light film series. Like Four Projected Movements almost thirty years earlier, the installation is projected against a...

A single fifteen minute quarter of a triangular edge of light through 90 degrees, along one wall, becomes four distinct architectural interventions...

Landscape for White Squares features individuals emerging out of a dense fog, carrying large, square, white sheets.

McCall’s digital animation presents a slowly shifting beam of “solid light” whose physical properties become outlined within the...

Three male voices dissect one edition of The New York Times through a series of locked-off shots, revealing the prejudice and latent content of news...

For Landscape for Fire, Anthony McCall and members of the British artist collaborative Exit followed McCall’s pre-determined score to torch...